Monday, May 10, 2010

Make Love to My Imagination

copyright: Hugh MacLeod

Several months ago, I started subscribing to my friend Hugh MacLeod's newsletter, in which he sends his readers one of his cartoons every single day.  I think of Hugh's emails as a daily vitamin for the mind and soul - a few words and marks with his pen that often reveal the simplest yet most insightful thoughts.

In addition to his daily cartoons, Hugh has recently started a Daily Bizcard series, where he designs free business cards for his "favourite people". Hugh is known for many things these days, among them a best-selling author, CEO of a winery, popular blogger, fine artist, but he started off, and perhaps is best known for, his cartoons drawn on the back of business cards.

I was pretty thrilled to find out today that Hugh designed a business card for me as today's Daily Bizcard. It pretty much captures the way I think.  You can read the full post here. I'm looking forward to handing them out.

Friday, March 19, 2010

My experience at SxSW 2010

I'm back from Austin, where I attended the SxSW Interactive Festival (conference) for the first time.  About 15,000 people came from around the world to hear talks on everything from managing tech people to the private vs public nature of the social web to my panel with Hugh MacLeod, MaryAnne Davis and John T. Unger on how to make a living as an artist and how the internet has changed the art market.

It was a fun filled, jam packed 4 days of brilliant conversations and great parties with new and old friends.  Our panel was scheduled at the same time as two very popular speakers, but we managed to get about 100 people in the audience.  As a moderator and participant, I had no idea how the conversation would flow, but we followed along 3 main topics:

1) How did each of us get to where we are and what influenced us along the way.
I told my usual story of how I went from being a tech marketer to a gallery owner, all because I stumbled across a space for sale.  MaryAnne told great stories about her experiences in art school and the traditional gallery system.  Hugh and John gave great anecdotes about why art called them and how they struggled to get to where they are today.

2) How has the art market changed and what does this mean for people who are making, buying or selling art.
One of the biggest changes we all spoke about was the diminishing role of the "gatekeepers", who traditionally were art dealers.  The internet has collapsed this wall allowing artists and collectors to connect directly.  But MaryAnne and I were quick to debate with the guys that many people still like to buy from dealers or galleries, and that system is unlikely to go away any time soon.  And on the flip side, some artists don't want to handle the commercial side of their art careers.  Hugh asked who in the audience was planning to wait to get discovered in Chelsea. I told him that was a ridiculous question (in more polite terms, if I recall correctly). I don't believe in the extremes of no galleries or all galleries - there is room for many different models to coexist in harmony.

3. What are some practical tips we can share with artists who want to make a living from their art.
John, MaryAnne and Hugh all had some really valuable points to make, some which may seem obvious but are often overlooked.  Have good images on your site.  Make it easy for buyers to buy - don't make them work to find out information on pricing and contacting you.  Invest in the tools you need to have a web presence - don't cut corners by trying to build all this yourself (unless you happen to moonlight as a web designer).  My advice was that artists need to network just like people in every other industry - get out and meet other artists, art school profs, gallery goers, etc... Who you know is important.

In the coming weeks there will be a podcast of our panel, which I will post here.  I want to thank all of those who came to see me in person and are visiting my blog, perhaps for the first time.  I learned a lot from the other sessions I saw, and hope to share more of my experience with you over the coming weeks.

Sunday, March 7, 2010

Speaking at SxSW Interactive


See me speak at SXSW 2010 (http://sxsw.com)


This week I head to Austin, Texas where I will be speaking on a panel called Millionaire or Artist: How About Both? with artists Hugh MacLeod, MaryAnne Davis and John T. Unger.


The cheeky name for the presentation came from a cartoon of Hugh's. Since Hugh, MaryAnne and John all make a good living as artists, we thought it was the right group to share ideas on how they got to where they are, how they see the art market changing, and practical advice for other artists who want to develop a more successful art career.


My role in this started off as the idea-generator, pulling together the group and the proposal.  At the time I was still running the gallery and thought I could contribute from the perspectives of a gallery owner.  Now that I have morphed the gallery into a more occasional consultancy/publisher model (stay tuned!), I am still planning to contribute, sharing my thoughts on how the market has changed, and what I hear from collectors in terms of what they want when they are buying contemporary art.


If you will be at SxSW, our session takes place on Monday, March 15th at 12:30 pm at the Austin Hilton.  If you are not, I will write post-event and share some of the highlights.

Sunday, January 31, 2010

The Year Ahead

Belated Happy New Year to you all!

Since writing my last blog post, I have been busy with the business of closing down the gallery - lots of moving, shipping unsold art back to the artists, and renting out the space to its new tenants - two local photographers.

Many people have asked me in the last 2 months if shutting down the space was difficult.  The truth is, the most difficult period was earlier last year when I was struggling to keep it all together.  Working full time on top of running the gallery, and helping family/friends with some serious matters resulted in my not doing anything to the best of my ability, and also meant there was little time left for myself.  Once I had decided on my decision, the toughest part was over.

The feeling that has kept coming back to me over these last 2 months is one of relief, and that in itself speaks volumes.  I know that I will still remain connected to the art world, but in a less commercial and time-intensive capacity.

I am excited by the year ahead, as it will give me more time to see great art, rather than focusing on the adminstrative side of running a gallery. Some of the things I am looking forward to in the next 2 months include:

  • Speaking at SxSWi - the largest interactive conference in the world - where I will be moderating a panel on Art and the Internet
  • Taking advantage of the art in my backyard through my newly acquired membership at the Art Gallery of Ontario
  • Visiting Frank Lloyd Wright's sites in Buffalo, NY, just a short drive from Toronto

There are many things planned for further on this year and I will share my adventures with you along the way.  Thanks for sticking with me and for all of your wonderful emails, blog comments, Tweets and calls.

Tuesday, December 8, 2009

And now for something different...



“I don’t need a house right now but I do need a gallery”.

November 2006. I was vacationing in Newfoundland, nursing a broken heart. My dear friend urged me to buy a home in Toronto after leaving my longtime residence in Boston. I started researching places on the web, stumbling upon a small commercial space in a Toronto neighbourhood that I loved.


I landed back in Toronto, drove by the space at around midnight, and 24 hours later, plunked down a cheque to buy it.


The 3 years that followed have been nothing short of a wonderful wild rollercoaster ride – thrilling, frightening, intoxicating, fun, fun, fun! Many stories I shared in this blog, and so many more not ready to be told. And then, a funny thing happened along the way.


I discovered that the gallery I fought desperately to survive, was getting in the way of my doing what I loved – seeing art I love, connecting art lovers with artists, bringing art out of cold intimidating environments so more people would experience it. The business of art took me away from the art itself. I looked ahead to 2010, and realized that I needed to spread my wings in ways that I couldn’t if I maintained the gallery as-is.

So as of now, I will be looking for a tenant for the gallery space on 437 Roncesvalles Avenue while I take some time to shift focus over the coming year. I will still be available by appointment to show works that I have in inventory but I will no longer be holding exhibitions at the gallery.

I will sign off by saying, I am incredibly proud of what I have built and incredibly grateful for the community of friends who made this possible. I will never grow old thinking “I wish I had opened a gallery” and though the fantasy didn’t live up to the reality, it turns out that what the gallery represented to me – independence, creativity, fulfillment, adventure – was not in the gallery, but in fact was inside me.


I will still be posting on this blog and sending out emails to gallery subscribers. I have a few new things in the works that I hope to announce in the New Year. Stay tuned for the next chapter…


Image: Do You Wish You Could Stay Here Forever, Geneviève Jodouin at tinku gallery.

Thursday, December 3, 2009

Best Art Article of 2009

Continuing my Best of 2009 challenge (led by Gwen Bell), the article that had a huge impact on me and that I sent to my network and friends is one written in the L.A. Times covering a speech Michelle Obama gave on why art matters.

The full speech is here. Enjoy. It gave me goosebumps.

Tuesday, December 1, 2009

Best Art-Related Restaurant Moment of 2009


So continuing with my Best of 2009 blog post series (as lead by blogger Gwen Bell), today's post is about my best restaurant moment of 2009. This happened not too long ago. Elena Popova, an artist from Newfoundland has an exhibition at tinku gallery in October. She and her husband, sculptor Luben Boykov, flew to Toronto from Newfoundland to attend her opening. The place was packed that night, and as usual, I hadn't eaten most of the day in the rush to get everything ready. By 9:30 I was starving.

I had booked a table at my favourite Toronto restaurant, an Iranian place called Banu. Banu is like a home away from home for me - it is a smallish restaurant run by 3 siblings who emigrated to Canada from Tehran. I've been there so often they all know me and greet me with hugs and kisses, asking how the gallery is doing.

Getting ready for an opening is a big effort emotionally and physically for the artist but also for the gallery owner. As much as I love the energy circulating in a packed room of guests, there is something nice about the hours immediately following, when we can kick off our shoes, and relax.


That night at Banu, we gathered round plates of grilled meats, delicious salads, endless glasses of wine, and raised a toast to the road that brought us all together and the possibilities yet to come.